CREATIVE WORKS
 |
(2010, forthcoming). Interpreting a Century Later: Ground-breaking Piano Music of 1908–1909.
Stephen Emmerson. The Art of Interpretation project: Music by Berg, Schoenberg and Bartok.
IMERSD. Sydney: Move Records. |
 |
(2008). Mithas.
Sitar, tablas and Tanburan.
Recorded in IMERSD studios,
with Huib Schippers and world music ensemble. IMERSD. Brisbane: QCRC. |
 |
(2008). Music for the Banal, the Everyday, the Obvious
Vanessa Tomlinson solo album.
IMERSD. Brisbane: QCRC. |
 |
(2008). Foreign Objects
Clocked Out Duo studio album & concert.
IMERSD. Brisbane: QCRC.
|
 |
(2007). iOrpheus– The Movie
5.1 surround sound and Dolby 2.0
produced in IMERSD studios
by Paul Draper & Alex Yabsley
Film produced & directed by Paul Davidson (GFS)
Vodcast available: Radio IMERSD
and at the iOrpheus website |
 |
(2006). In Depth Collusion.
Recorded in IMERSD studios,
MD3310. Music CD
Sydney: Move Records |
 |
(2005). Music Queensland Project
Recorded in IMERSD studios,
In collaboration with QCRC,
Arts Queensland, Peter Roennfeldt and Adele Nisbet
Brisbane: State Library of Queensland |
 |
(2003). Clean Start. Louise Denson Group
Recorded at QCGU
NEW3098.2. Music CD
Melbourne: Newmarket Records
Sunnie Award, 'Best Jazz Album 2003', Queensland Recording Association |
|
JOURNAL ARTICLES
with Scott Harrison, (2010, forthcoming). Through the eye of a needle: The emergence of practice-led doctorates in music.
(2009, under review). Perspectives on networked music culture: Audio files, audiophiles, and the reflective musician. (pre-print).
(2009). How online social networks are redefining knowledge, power, 21st century music-making and higher education. Journal of Music Research Online (JMRO). Adelaide: Music Council of Australia. [full paper]
(2008). Dreaming, doing, knowing. In Cat Hope (Ed.), invited article for special edition, 'New Sounds, Defying Definitions', Resonate, 3 . Australian Music Centre. [full paper]
(2008). Music two-point-zero: Music, technology and digital independence. Journal of Music Technology and Education (JMTE). UK: Intellect. (full paper)
with Gemma Carey, Don Lebler, & Erica McWilliam, (2006). Learning and unlearning: New challenges for teaching in Conservatoires. Australian Journal of Music Education. 2006, No.1. [full paper]
with Matt Hitchcock, (2006). Work-integrated learning in music technology: Lessons learned in the creative industries. Asia-Pacific Journal of Cooperative Education, 7(2), 24 –31. [full paper]
CONFERENCE PAPERS
with Scott Harrison, (2010, under review). Reflecting on reflection in action: Supervising practice-based doctorates in music. In proceedings of The 29th International Society for Music Education (ISME) World Conference 2010, 1–6 August 2010, Beijing, China. [pre-print]
(2009, in press). Authority 3.0: Toward an open digital press for universty-based musicians. In proceedings of AUC CreateWorld 2009, 30 November – 2 December 2009, Brisbane, Australia. [full paper]
(2009, in press). Foreign objects and the art of interpretation. In proceedings of The Second International Conference on Music Communication Science (ICoMCS2), 3-4 December 2009, Sydney, Australia. [full paper]
(2009). On disintermediated culture, education, and craft. In proceedings of The Fourth Annual Art of Record Production Conference, 14–16 November 2008, University of Massachusetts Lowell, USA. [full paper]
(2008). Who’s really doing the stealing? How the music industry’s pathological pursuit of profit and power robs us of innovation. In proceedings of Creating Value Between Commerce and Commons, ARC Centre for Excellence for Creative Industries & Innovation, International Conference, 25–27 June 2008, Brisbane, Australia. [full paper]
with Matt Hitchcock, 2008) The hidden music curriculum: Utilising blended learning to enable a participatory culture. In proceedings of The 28th International Society for Music Education (ISME) World Conference, 20–25 July 2008, Bologna, Italy. [full paper]
with Stephen Emmerson, (2008). Music, recording and the art of interpretation. In proceedings of CreateWorld 2008, 9–12 December 2008. [full paper]
(2007). Contribute, communicate, collaborate: The Internet as workplace in the digital arts. In proceedings of Contribute, Communicate, Collaborate, the Apple University National Conference, Gold Coast, Queensland 23– 26 September, 2007. [full paper]
with Matt Hitchcock, (2006). Can the e-learning experience inform e-research in the digital arts? In proceedings of CreateWorld 2006 conference, 5 –6 December 2006. Wooloongong: Apple University Consortium.
(2007). Students doing the driving: How undergraduates use ICT to enhance reflective practice, peer review and collaborative learning. In proceedings of Music in Australian Tertiary Institutions – Issues for the 21st Century, NACTMUS National Conference, Brisbane 29 June – 1 July 2007. [full paper]
with Matthew Hall & Jenny Wilson, (2006). Universities, creativity and the real world? In proceedings of SPeculation and INnovation: Applying Practice-led Research in the Creative Industries conference. Brisbane: Queensland University of Technology. [full paper]
(2005). Encounters: Subdisciplinary dynamics in Australian music-making and recording. In proceedings of The 2005 Art of Record Production Conference, 17–18 September. London: Royal Holloway University of London. [full paper]
(2009, February). Music, technology and classroom 2.0. Invited article, Education Technology Solutions, 28, Feb–Mar, pp. 30–32.
(2007, 28 November) Reading Music in the Digital Realm. The Australian, Higher Education. Wednesday 28 November 2007, p. 34.
(2007, 7 August) Musicians Genesis. Apple US Education. Feature on QCGU, music technology.
(2007, 25 June) Queensland Artists See the Other Side. Feature on Apple TV in Music Tech curriculum. Wheels for the Mind, Winter 2007, p. 14–15. Wooloongong: AUC.
(2007, 20 April) University Challenge, Systems review and feature interviews about the launch of the Queensland Conservatorium Research Centre's partnership with Acoustic Technology Electronics P/L. . Pro Audio Asia, March–April 2007, p.106.
(2007, 2 April) Installation – Griffith University, Installation feature on Queensland Conservatorium Griffith University's the Blackbird Line Array in the Queensland Conservatorium Ian Hanger Recital Hall. Interview with Acoustic Technology's CEO Harry-Lloyd Williams and Griffith's Prof Paul Draper. Entertainment Technology Asia, April 2007, p.5.
(2007, 25 March) Catering for the Creatives. Feature on the AUC-Griffith University hosted conferece in December 2006 on South Bank. Wheels for the Mind, Autumn 2007, p. 14–15. Wooloongong: AUC
(2007, 16 March) A. T. and Griffith Uni. Feature on the Acoustic Technologies launch of the $70,000 Blackbird Line Array at the Queensland Conservatorium Ian Hanger Recital Hall. ProSound News, Jan–Mar 2007, p.14.
(2006, 1 October ) IMERSD podcasts @ Griffith University. Wheels for the Mind, Summer 2006, pp 8–9. Wooloongong: AUC
(2006, 6 August) New heights of interconnectivity for Griffith alumni. Griffith Alumni newsletter, August 2006 issue.
(2006, 15 June) International campus exchange. Griffith Learning Community Newsletter, Issue 03: June 2006.
(2009, July–October), Realised by William Duckworth & Nara Farrell and hosted by the Queensland Conservatorium Research Centre (QCRC), Sonic Babylon is a global art project planting interactive 'gardens of sound'. Riding local Wi-Fi networks, each garden grows in selected spaces within a community, bringing the music, sounds, and stories of that locale's past and present into the future, and allowing networked visitors access to a world beyond the world they see. Sonic Babylon's 3 gardens for the QCRC are in Cairns, South Bank/Brisbane, and Noosa. A permanent garden in the inner courtyard of the National Film and Sound Archive in Canberra will celebrate their 25th anniversary and Sound Day 2009.
(2006–2009) Apple University Consortium (AUC) and Apple Computer Australia. International digital arts conferences: CreateWorld 2009 30 November – 2 December; CreateWorld 2008 8–10 December; CreateWorld 2007 25-28 November; and CreateWorld 2006 5–6 December. Griffith University South Bank: Brisbane.
(2007, June–September)William Duckworth & Nara Farrell, iOrpheus: Art Among us. The prominent New York based composer William Duckworth worked with the QCRC on a Fulbright Senior Specialist Grant to create a world premiere of iOrpheus, an iPod based public opera created with co-collaborator Nora Farrell, and featuring downloaded scenes merging with live music, ringtones and a wireless sound garden in the South Bank Parklands. This project was realised in collaboration with South Bank Corporation. See www.iorpheus.com. and iOrpheus – The Movie vodcast.
(2006, October) Dagfinn Bach The Globalisation of the Digital Arts. Griffith Digital Arts Public Lecture Series and Internet Podcast. Ian Hanger Recital Hall. Dagfinn Bach is the CEO of Artspages China and the Director of R&D and Business Development, Artspages International AS. Brisbane: Griffith University.
(2008, 23 July) Music Education 2.0: How Reflective Practice, Peer-review and a Participatory Culture is Enabled in the New Curricula. Invited speaker and panel member, The 28th International Society for Music Education (ISME) World Conference, 20–25 July 2008, Bologna, Italy.
(2008, 27 June) Creative Capital and Workforce Futures, invited speaker and guest panelist. In Creating Value Between Commerce and Commons, ARC Centre for Excellence for Creative Industries. Brisbane Convention Centre, South Brisbane.
2008, 25 June) Legal Issues for Social Networks and Creating Public Value, invited speaker and guest panelist. In Creating Value Between Commerce and Commons, ARC Centre for Excellence for Creative Industries. Brisbane Convention Centre, South Brisbane.
(2008, 24 June) Building an Australasian Commons. Creative Commons Australia, invited speaker and guest panelist. QUT: Kelvin Grove, Brisbane.
(2007, 7 December) National Creativity Showcase. Invited panel member and discussant. CCII and QUT. Brisbane: QUT Garden Point campus.
(2007, 28 November) CCAU Music Industry Forum. Invited speaker and panel member, with APRA/AMCOS and Creative Commons Australia. Brisbane: QCA Griffith University.
(2007, 25 November) Music 2 .0: A framework to examine next-generation digital arts environments. Invited keynote address. Apple University Consortium (AUC) CreateWorld 2007 conference, Brisbane: vodcast
(2007, 22 November) The implications for the learning environment of current and emerging Web 2.0 technologies, Learning Environment Committee invited speaker in the Facilitated Panel Session being held as part of Griffith's 2007 e-Learning Showcase.
(2007, 9 October) Music Two-point-zero: How participatory culture is reclaiming knowledge, power and value systems from the inside out. Twlight Series public lecture and vodcast. Queensland Conservatorium Research Centre: Brisbane: vodcast
(2007, 27 June) How Music Technology Students Use ICT to Drive Collaborative Learning and Professional Practice. Invited speaker and workshop, presented at the National Conference of The Australian Screen Production Education and Research Association (ASPERA), 27–28 June 2007, Brisbane.
(2006, 15 November) Podcasting: beyond the expectations of teaching as delivery. Griffith eLearning Fellowships Showcase: Auditorium, Logan Campus
(2006, 28 August) Students Doing the Driving. 2006 Instructional Design Forum: Who’s Doing the Driving; the Devices or the Learning? Griffith University: Ship Inn, South Bank
|
